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Relay Column: Note on Aespa – A Game of 'Real' vs 'Realistic' (Tsuya-chan)

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PROFILE
Tsuya-chan
Tsuya-chan

An essayist whose work covers various aspects of culture. She has written numerous articles for music magazines, literary magazines, fashion magazines, and more. Her book, 「わたしはラップをやることに決めた フィメールラッパー批評原論」 (DU BOOKS), focusing on the achievements of female rappers, has been nominated for the Music Book Grand Prize 2023. In 2022, she initiated an activity called「コスメは語りはじめた」to contemplate alternative beauty.

"Camp is a woman walking around in a dress made of three million feathers."

Susan Sontag[1]

In 2023, considering the subject of "Fashion & Technology" as broached in the book, aespa can be recognized as the perfect topic for contemplation.
Aespa is currently one of the most globally recognized and supported K-POP groups. The group introduces a novel impression through the plot of 'encountering an avatar which is an alternate version of oneself, and experiencing a new world', by incorporating virtual elements in their lyrics, music, music videos, and even their live performances. They are relentless in their branding as a 'Metaverse Group', and yet, not much is detailed about it. An explanation has been made that "the virtual world's avatar 'ae-aespa' and 'SYNK' are 'LINKED' to one another," but honestly speaking, it seems like their statement is prominent but not entirely clear. Even the members themselves cannot properly explain why they are classified as a 'Metaverse Group' during interviews or lives. Nonetheless, this isn't important. Exceptional expressions often transcend the intended meaning of something.
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