[No.3]Living National Treasure Akihiro Maeta's Setbacks and Challenges
2025.12.15
[No.3]Living National Treasure Akihiro Maeta's Setbacks and Challenges
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*The text-to-speech feature is generated by AI,
so there may be errors in the reading.
After completing a white porcelain vase for his graduation project, Akihiro Maeta eagerly established a studio in his hometown of Tottori City. Just when it seemed he would dive headfirst into creating white porcelain, he encountered a major obstacle that shattered his confidence. But for Maeta, this failure proved to be a pivotal turning point.
In Part 3, we explore Maeta's journey as he embarked on his career as a potter, confronting the harsh realities of the craft he hadn't faced in university. We'll see how he proved his mettle as a potter, despite not hailing from a ceramicist family or a major pottery region.
<Last time, we shared how Mr. Maeda's university pottery experience led him to resolve to master white porcelain. For details, please see here.>

Days of Trial and Error

Maeta had to manage every step of the creative process alone. Confronting this harsh reality, he devoted himself completely to white porcelain. With no one to turn to for help, his only option was to push forward through trial and error, tackling each unknown as it came. It was a slow process, but by learning from his failures, he solved each problem one by one.

Then one day, he suffered a devastating setback that threatened to wash away all his hard work.

"I think I built up my skills by making one mistake after another. But the hardest blow came about 10 years after I'd set out on my own.

The kiln I use is big enough to hold three months' worth of pieces at once. You can't see inside during the firing, so I always light it with a prayer in my heart.

When the firing is over and it's time to unload, I'm always hoping to find white porcelain of a beauty beyond my imagination. It cools for about three days after I turn off the heat, and I'm so anxious to see the results that I rush to open it first thing in the morning.

And then... I still hate to think about it, but every single piece from those three months of work was cracked. That moment was just soul-crushing."

In that instant, all his hard work had turned to dust. The agony of losing his creations at the final stage is hard to imagine. Maeta confessed that in that moment, before he could even begin to figure out how to prevent the cracks, he had lost all motivation to even try.