Amidst Shifting Traditions: Ikutouen, an Okinawan Yachimun Pottery Studio, Envisions the "Tsuboya Landscape"
2026.04.02
Amidst Shifting Traditions: Ikutouen, an Okinawan Yachimun Pottery Studio, Envisions the "Tsuboya Landscape"
*The text-to-speech feature is generated by AI,
so there may be errors in the reading.
Copied to Clipboard
*The text-to-speech feature is generated by AI,
so there may be errors in the reading.
Tsuboya, in Naha City, Okinawa. In this area, a symbol of post-war reconstruction, the Takaesu family has been crafting yachimun pottery for over 300 years. Continuing this legacy is the Tsuboya-yaki kiln, Ikutouen. Wakana, daughter of the sixth-generation head, Tadashi Takaesu, and the current president of the studio, has boldly introduced "organization" and "innovation" to the world of traditional crafts.
While navigating the space between tradition and innovation, she is determined to pass on the "Tsuboya landscape" to the next generation. We sat down with her to learn more about her vision.
PROFILE
Takaesu Wakana
Takaesu Wakana

Wakana Takaesu was born the eldest daughter of the sixth-generation head of Ikutouen, a Tsuboya-yaki kiln with a history spanning over 300 years in Tsuboya, Naha, Okinawa. In 2021, she took over the family business from her father and became its president.
While cherishing the transmission of traditional techniques, she is working to build a system that integrates manufacturing, sales, and hands-on experiences. She aims to effortlessly convey the charm and value of the Tsuboya production area through daily activities. Under her vision of "Passing on the Tsuboya Landscape," she continues her work to hand down this culture to the next generation.

Tsuboya Yachimun-dori Street: An Oasis in the Heart of Naha

Despite its location in the heart of Naha City, Tsuboya Yachimun-dori Street is filled with a serene atmosphere. This area is known as the place where Okinawa's post-war reconstruction began.

Located in central Naha, Tsuboya Yachimun-dori Street exudes a quiet calm. The area is famous as the starting point of Okinawa's reconstruction after World War II. Tsuboya, which suffered relatively little damage from air raids, became a gathering place for potters who had been living in internment camps after the Battle of Okinawa; they were the first to enter the area as an advance party. For the residents who had lost everything in the war, these artisans crafted and distributed daily necessities for free. And so, with Tsuboya as its anchor, the city of Naha was gradually rebuilt.

In the past, the sight of smoke billowing from climbing kilns, or noborigama, was a daily feature of the Tsuboya sky. However, as environmental awareness grew in the 1970s, the use of these kilns within Naha City was banned. Many pottery studios were forced to switch to smokeless gas or electric kilns, while others relocated to suburbs like Yomitan Village to continue using their traditional climbing kilns.

In Tsuboya, home to the Ikutouen studio, a noborigama climbing kiln designated as an Important Cultural Property of Japan still stands today. While no longer used for full-scale firing, it is fired once a year for preservation. This event provides a rare opportunity for Tsuboya's potters to work together, serving as a symbolic act of passing down skills and memories to the next generation.

In an environment distinct from the fiery landscapes and serendipity unique to wood-fired kilns, the potters evolved, choosing to perfect decorative techniques—known as kashoku—such as line carving (senbori) and painting (etsuke). This evolution shaped the identity of modern Tsuboya-yaki and, by extension, that of Ikutouen itself.