The Creative Spirit of "Never Imitating Others," Passed Down Through Chubuki Glass Studio Niji
2026.04.03
The Creative Spirit of "Never Imitating Others," Passed Down Through Chubuki Glass Studio Niji
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"Yachimun no Sato" in Yomitan Village, Okinawa, is a celebrated hub for local crafts. Tucked away in a corner, amidst a lineup of pottery workshops, one studio makes its presence known as the sole glassblowing workshop: "Chubuki Glass Studio Niji." It was founded by the late Moriyoshi Inamine, a man renowned as a "Contemporary Master Craftsman," and is now helmed by his son, Seiichiro. While the studio has carved out a unique niche with its signature "bubble glass" technique, its history is steeped in the story of two generations of intense father-son conflict and reconciliation, and an unwavering passion for creation.
PROFILE
Seiichiro Inamine

Inamine Ryukyu Glass breathes new life into discarded glass bottles. We transform them by hand, embracing their raw, simple beauty and the natural colors that emerge. The texture has a warmth reminiscent of pottery, a feeling that our "bubble glass" technique particularly enhances. We constantly explore new techniques, pushing the creative boundaries of glass as a medium.

Born in Yorimiya, Naha City, in 1971. In 1987, he began a seven-year tenure at Okuhara Glass Studio before joining Chubuki Glass Studio "Niji" in 1995. Since 1996, he has received numerous awards, including at the Oki-ten Exhibition and the Okinawa Times Art Awards.

In 2020, he became the director of Chubuki Glass Studio "Niji." He was certified as an Okinawa Prefecture Artisan in 2022, featured in the Okinawan art publication "沖縄の美術" in 2023, and exhibited at the "東アジア国際展覧会 in TOKYO" and the "日本神経科学学会50周年記念イベント アートデザイン展" in 2024.

The Origins of "Niji": The Maverick of Ryukyu Glass

Ryukyu glass has its roots in postwar Okinawa, where artisans began melting and repurposing empty Coke and beer bottles discarded by stationed U.S. forces. Born from the hardship of resource scarcity, this craft has evolved in step with Okinawan history. Moriyoshi Inamine, the founder of Chubuki Glass Studio Niji, was an artisan right in the middle of it all.

Moriyoshi initially worked at a large-scale glass craft facility in Itoman City. At the time, there was a movement to consolidate the numerous glass studios scattered across Okinawa. However, Moriyoshi, a craftsman with a fiercely independent spirit and a drive to create on his own terms, couldn't conform to the rigid structure. He left the facility after only three months and, after a stint at places like the Okuhara Glass Factory in Naha, forged his own path to independence.

His journey to independence was fraught with challenges. After his first studio failed, he aimed for a comeback, working out of a corner of a former foreigner's residence in Oyama, Ginowan City. The turning point arrived unexpectedly. A plate he had crafted was being used for lunch specials at a local café. A pottery expert spotted the plate and was immediately struck by the unique quality of Moriyoshi's glasswork.

At the time, "Yachimun no Sato" in Yomitan was strictly a village for potters, with no precedent for welcoming a glass studio. However, supporters who recognized Moriyoshi's immense talent made an exception, allowing him to establish his workshop there. And so, Chubuki Glass Studio Niji began its journey as the sole glassblowing studio in a village celebrated for its pottery.

A collection of Moriyoshi's highly original works are displayed in front of his photograph.
A collection of Moriyoshi's highly original works are displayed in front of his photograph.