Forging a New Frontier in Kamakurabori: Bridging Tradition and Modernity Through 'Silent Dialogue'
2026.01.26
Forging a New Frontier in Kamakurabori: Bridging Tradition and Modernity Through 'Silent Dialogue'
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*The text-to-speech feature is generated by AI,
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Kyukei Goto, owner of the Kamakurabori Goto Kyukei Gallery, is the 29th-generation descendant of the famed Buddhist sculptor Unkei. After losing his father—and mentor—at the tender age of 20, how did Goto forge his own path to create pieces that resonate with modern lifestyles? The key was a "silent dialogue" with the works left behind by his predecessors. We explore the journey of an artisan who, with the weight of tradition on his shoulders, continues to carve a path for the future generation.
PROFILE
Kyukei Goto
Kyukei Goto

Born in Kamakura in 1972. After studying under sculptor Hiroshi Obata, he succeeded his father as the third-generation Kamakurabori artisan, Kyukei Goto, in 1998. In 2002, he also began his career as a fine artist under his given name, Yoshihiro Goto. In 2005, he formed the craft artist collective "Yukinofuku" and the artist unit "eventum," both centered on lacquer art and sculpture.

He has held a number of exhibitions at galleries and museums, including "刻のむこう側" (2024) and "鎌倉祭アート&スペース" (2025). He also crafts Buddhist ritual objects and restores memorial tablets for Kamakura's temples, including the famous Engaku-ji.

With the mission to help people "Enjoy an extraordinary life with exceptional Kamakurabori, even on the most ordinary of days," he takes on custom orders. As his life's work, he is also committed to promoting Kamakurabori by teaching classes and holding workshops at schools throughout Japan.

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Confronting Destiny, or the Start of an Adventure

Kyukei Goto's workshop sits in a tranquil spot near Kamakura's Tsurugaoka Hachimangu Shrine. Generations of his family have carved the history of Kamakurabori here ever since his great-grandfather acquired the land in the Meiji era. Goto says that from childhood, everyone called him the "heir," and he grew up with a nebulous sense of his destiny.

In the spring before graduating from junior high, Goto was called in by his father, the master artisan at the time, who asked about his future plans. "If you're going to pursue Kamakurabori, you're already cutting it close to start." His father had lost his own father (Goto's grandfather) at just four and had begun training at age six.

Forced to become the head of a workshop with many artisans at a young age, Goto's father grew up under immense pressure to "master the craft quickly." He likely found himself torn—wanting to spare his son the same struggle, yet unable to let the tradition fade away. When his father finally broke the silence with those words, Goto simply replied, "I'm ready," and set foot on the path of an artisan.

In the gallery, works by previous generations are displayed alongside Goto's own creations.
In the gallery, works by previous generations are displayed alongside Goto's own creations.