"Lacquer Is Like a Child": The Philosophy Behind the "Living" Art of Edo Lacquerware, a World Away From Chemical Paints.
2026.01.19
"Lacquer Is Like a Child": The Philosophy Behind the "Living" Art of Edo Lacquerware, a World Away From Chemical Paints.
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*The text-to-speech feature is generated by AI,
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In the heart of Tokyo, Urushigei Nakajima continues to champion the traditions of Edo lacquerware. Yasuhide Nakajima, the 11th-generation head of the family and a first-grade certified lacquerware artisan, has spent 60 years working with lacquer. On a lacquered surface, virtually all bacteria—from Salmonella to E. coli—die off within 24 hours. In an age where chemical paints are the norm, why persist with "real lacquer," a material that is both time-consuming and expensive? The answer reveals a dialogue with a "living" material, the very antithesis of efficiency, and a surprisingly clever survival strategy unique to Edo artisans.
PROFILE
Yasuhide Nakajima
Yasuhide Nakajima

Born in Tokyo in 1943, Nakajima is renowned for producing Edo octagonal chopsticks using rare, aged wood. After graduating from junior high school, he studied lacquer art at Yamagataya in Tsukiji.

At 18, he returned to the family business, "Urushigei Nakajima," and has since been engaged in creating lacquered bowls, Edo octagonal chopsticks, and lacquered furniture.

In 1981, he earned his certification as a first-grade lacquerware artisan. He received the Tokyo Governor's Award in 1986 and was honored with an Award for Outstanding Skill in 1996.

60 Years of Artistry: The Truth Behind "Living" Lacquer

A palpable tension fills the workshop. As Nakajima mixes lacquer with a spatula, his hands move with an efficient grace born from decades of experience. He describes the very nature of lacquer as being "alive."

"Just how remarkable is lacquer? If you place any bacteria, like Salmonella or E. coli, on its surface, almost all of it will be eliminated. Within 24 hours. With other coatings, bacteria just multiply, but lacquer has a powerful antibacterial effect."

This is why, in the era before refrigerators, traditional New Year's feasts (osechi) served in tiered lacquer boxes (jubako) could stay fresh for as long as ten days.

However, coaxing out these amazing properties requires a delicate touch, as if one is trying to please a "living thing." The drying process, in particular, is incredibly tricky. Lacquer hardens through a chemical reaction that is highly dependent on humidity and temperature. In other words, its drying time can change dramatically with the seasons and the weather.

Try to force it to dry, and it will fail. But create the right environment and respect its nature, and it will cure beautifully. "Lacquer is like a child. You can't force it," he says. In these words from a man who has spent 60 years with the material, one can sense an approach that is not about controlling the medium, but about harmonizing with it.

Sensing the humidity and temperature, he kneads the lacquer with a moment of unbroken focus.
Sensing the humidity and temperature, he kneads the lacquer with a moment of unbroken focus.