Passing on a Master's Legacy to the Next Generation: The Challenge of Frame Artisan Daichi Kurihara
2025.09.17
Passing on a Master's Legacy to the Next Generation: The Challenge of Frame Artisan Daichi Kurihara
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*The text-to-speech feature is generated by AI,
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Tokyo Picture Frames, born from the masterful skills of artisans, are crafted to beautifully enhance masterpieces. Daichi Kurihara of the “Fujiseigaku” frame workshop in Arakawa, Tokyo, is a young artisan who found his true calling after a long and winding journey that included dreams of becoming a professional soccer player and studies in fashion design.
It was an encounter with a master artisan that gave him the resolve to dedicate his life to frame making. We spoke with this young craftsman to learn about his journey and his continuous efforts to hone his skills to pass the craft on to the next generation.
PROFILE
Daichi Kurihara
Daichi Kurihara

Born in Tokyo in 1987, Daichi Kurihara is a frame artisan. His interest in picture frames was sparked by his hobby of appreciating modern paintings during his university years, which led him to pursue the craft. After graduating from university, he began his apprenticeship at Fujiseigaku, where he continues to work as a craftsman today.

Discovering Picture Frames Helped Me Overcome My Feeling of Being a “Nobody”

What was your life like before you became a frame artisan?

I had tried my hand at many things, but nothing ever seemed to pan out. I was living with a complex, feeling like I was a person who only ever did things halfway. But when I started making picture frames, everything just clicked.

From kindergarten through high school, I was set on becoming a professional soccer player. Coached by my father, a PE teacher, I even got into a powerhouse school on a sports scholarship to pursue that dream, but it wasn't meant to be. In my senior year of high school, I began to have doubts about my future, wondering, “The world is so vast, why have I only ever known soccer?”

I decided to pursue something I loved and thought about going to a vocational school for fashion, but my parents wouldn't allow it, so I started looking for a university. I hadn't done the preparatory drawing needed for art school entrance exams, so I found a university where I could enroll in the economics department with the option to transfer, and eventually moved to the textile design program.

But I still felt an inferiority complex even in college. I hadn't passed the rigorous exams to get into a top art university, and I was envious of my friends at fashion vocational schools who seemed so dazzling and successful. On top of that, it was a “job-hunting ice age,” so there were hardly any openings, and I couldn't land a job as a designer. Just as I was thinking about going back to a fashion school, my grandfather, who had a connection with the president of Fujiseigaku, arranged for me to visit the workshop.