The Three-Generation Philosophy of Tsumami Kanzashi: Ishida Shoten's Guardianship of Tradition and a Fragment of Beauty
2026.01.12
The Three-Generation Philosophy of Tsumami Kanzashi: Ishida Shoten's Guardianship of Tradition and a Fragment of Beauty
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Tsumami kanzashi is a traditional Japanese craft with roots in the Edo period. In a quiet workshop in Takadanobaba, Tokyo, these intricate hair ornaments, crafted from single pieces of silk, are still being meticulously brought to life. Despite the ebb and flow of modern trends, Ishida, the third-generation owner of the Tsumami Kanzashi Museum, Ishida Shoten, continues to spin tales of Japanese beauty through a blend of time-honored techniques and fresh ideas. We delved into the "future of tradition" that lives within his craftsmanship.
PROFILE
Tsuyoshi Ishida
Tsuyoshi Ishida

Third-generation owner of the Tsumami Kanzashi Museum, Ishida Shoten.

Born in Tokyo in 1959. He grew up helping with the family business, becoming familiar with the craft from a young age. At 23, he officially began his apprenticeship under his father, Kenji, to become a tsumami kanzashi artisan.

In 1984, he demonstrated tsumami kanzashi making in the United States. That same year, he and his father held their first "父子展" (Father and Son Exhibition) in Ginza. They continued to hold these exhibitions throughout Tokyo for more than a decade.

Beginning in 1992, he held several "父子展" exhibitions in cities across China, including Beijing, Xi'an, and Shenyang.

Since 2003, he has held an annual solo exhibition in Nagoya.

In 2009, he was certified as a "新宿ものづくりマイスター" (Shinjuku Monozukuri Meister/Master of Manufacturing).

A Three-Generation Artisan Bloodline: An Encounter with Tsumami Kanzashi

Ishida Shoten is a workshop based in Takadanobaba, Tokyo. Its history traces back to Ishida's grandfather. Born into a farming family in Fukushima Prefecture, his grandfather found work at the home of a tsumami kanzashi artisan. This marked the beginning of the Ishida family's path in the craft.

"My grandfather was from a farming family in Fukushima. Since he wasn't the eldest son, he was sent out to work, and he happened to end up at the home of a tsumami kanzashi artisan. That's how he started making kanzashi in Tokyo. My father took over after him, and eventually, I inherited the business."

For Ishida, who grew up in an artisan's home, helping with the family business was a part of daily life. He says it was normal for him to help with work during long school breaks like summer vacation, outside of his playtime. Although he was naturally exposed to the techniques from a young age, he made the conscious decision to pursue the craft after graduating from university.

And so, Ishida officially stepped into the world of tsumami kanzashi. It was the dawn of a career as an artisan that would span over 40 years.

A 40-Year Journey: Navigating the Highs and Lows of a Traditional Craft

When Ishida became an artisan in the early 1980s, the demand for kanzashi was in decline as fewer people were wearing traditional Japanese clothing (waso). Interest in traditional crafts was not as high as it is today, and the industry faced challenging times.

However, the situation began to change as more people gradually started wearing kimonos again. The rise of the DIY and handmade boom over the past decade marked a significant turning point. The number of people making tsumami kanzashi as a hobby grew, boosting the craft's recognition. This led to the emergence of independent "artists" (sakka) who had acquired their own unique techniques, in addition to traditional artisans like Ishida.

Today, the most common use for tsumami kanzashi is for seven-year-old children during the Shichi-Go-San festival. As a nationwide event where kimonos are often worn, it creates a stable demand. This is followed by use with furisode (long-sleeved kimonos) for Coming of Age Day ceremonies. Kanzashi for maiko (apprentice geisha) are less common in number, as their world is very specific.

Works of tsumami kanzashi from previous generations are displayed at the workshop's entrance
Works of tsumami kanzashi from previous generations are displayed at the workshop's entrance