Fire, Lacquer, and Yamagata Craftsmanship—Kikuchi Hojudo Upholds a 9,000-Year-Old Technique
2025.11.17
Fire, Lacquer, and Yamagata Craftsmanship—Kikuchi Hojudo Upholds a 9,000-Year-Old Technique
*The text-to-speech feature is generated by AI,
so there may be errors in the reading.
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*The text-to-speech feature is generated by AI,
so there may be errors in the reading.
The moment you step inside the Yamagata workshop, the atmosphere shifts. You’re met with a blast of heat from a blazing fire and the earthy scent of sand. A quiet, palpable tension hangs in the air. You can't help but catch your breath, thinking, "So this is what it means to be handmade." This is the home of Kikuchi Hojudo, a venerable workshop with over 420 years of history. Its master, Noriyasu Kikuchi, is a craftsman at the forefront of traditional arts, one who isn’t afraid to embrace change.
PROFILE
Noriyasu Kikuchi

15th-generation master of Kikuchi Hojudo

Soft Iron, Born in the Casting Town of Yamagata

"You see, our process is different right down to the type of sand we use," Kikuchi begins, holding a handful of the sand used for the molds.

The secret to Yamagata casting lies in this very sand. Sand from the Mogami River basin has round grains, which yields a smooth finish. In contrast, mountain sand is angular and compacts tightly. This distinction is what gives the iron its delicate surface texture.

"The secret to creating iron that appears soft is all in the blend of this sand."

Achieving such fine detail is an incredibly difficult feat.

"Mastering fine sand is incredibly challenging. But that’s a skill the artisans of Yamagata possess."

It's this combination of local resources and the artisans' intuitive touch that elevates Yamagata casting to an "art for everyday life."