[No. 4] Traveling the World & Discovering Beauty in Everyday Life—The Source of Ideas for Living National Treasure Mamoru Nakagawa
2025.06.26
[No. 4] Traveling the World & Discovering Beauty in Everyday Life—The Source of Ideas for Living National Treasure Mamoru Nakagawa
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*The text-to-speech feature is generated by AI,
so there may be errors in the reading.
Last time, Living National Treasure Mamoru Nakagawa talked about his flexible approach to the traditional craft of "Kaga Zogan" (加賀象嵌, inlay metalwork), which is completely different from what people usually imagine when they hear the term traditional crafts.
He overcomes the fixed idea that "traditional crafts are wonderful only because they embody ancient techniques," emphasizing that we must pursue beauty suited to the present age. He was taught by Professor Kaishu Takahashi to "make stylish things," and Nakagawa went on to learn diverse values.
This time, we'll uncover the secret of the artistic design found in Nakagawa's works. While pursuing a contemporary sense of beauty, what did Nakagawa notice, and how did he incorporate those discoveries into his creations?

The Beauty of Nature Experienced Abroad

Where did Nakagawa's unique philosophy toward Zogan come from? It turns out that his experiences overseas played a major role. In particular, he was strongly influenced by Turkey.

"There's a place in Mitaka City called the Middle Eastern Cultural Center. At the time, research called 'イスラム圏の商人と職人たち (Merchants and craftsmen in the Islamic world)' was being conducted there, and I joined the research team, traveling to Turkey almost every year.

I took every chance I could to sketch. When I made a detour to Bulgaria after visiting Turkey, I was captivated by the beauty of the grasslands and forests spreading out before my eyes.

As the sun gradually set, the beautiful contrast in brightness between the western and eastern skies made a vivid, lasting impression on me."

This scene became the inspiration for his piece, "重ね象嵌朧銀花器『草原の森』." By using materials like silver and Shibuichi (四分一) —the latter being an alloy of silver and copper—he superbly expressed the delicate light and shade, capturing the passage of time in this work.

50th Nihon Dento Kogeikai Exhibition<br>重ね象嵌朧銀花器『草原の森』
50th Nihon Dento Kogeikai Exhibition
重ね象嵌朧銀花器『草原の森』