A wine glass characterized by its captivatingly beautiful wood grain. The grain patterns tell a story of nature's history, something human hands could never replicate. This product is crafted by Shozu Shikko Corporation Based in the Yamanaka Onsen district of Kaga City, Ishikawa Prefecture, the company handles the wood turning of Yamanaka lacquerware, a traditional craft of Ishikawa. They actively promote their original products. We spoke with the third-generation Kubode couple about the passion behind their work.
PROFILE
Left: Takao Kubode, Right: Hisako Kubode
Takao Kubode
Born in 1986 in Kaga City, Ishikawa Prefecture. Returned to his hometown in 2013 and joined Shozu Shikko. He inherited wood-turning techniques from the second-generation Shoji Kubode and developed his own products. The "mebuki" bowl he designed has won numerous awards, such as the Ishikawa Eco Design Grand Prix, both domestically and internationally.
Hisako Kubode
Born in 1989 in Fuchu City, Tokyo. Moved to Ishikawa in 2013 after marriage and joined Shozu Shikko. She’s involved in wood-turning, public relations, and international sales.
Starting Post-War: The Legacy of Shozu Shikko’s Kijishi Work
Can you tell us about your company history?
Takao Our company officially started in 1978, but our work began shortly after World War II. After the war, many men returned from the front lines to find no jobs in their hometowns. My grandfather was one of them.
While discussions about their future were ongoing, the proposal to engage in Yamanaka lacquerware, which was already a part of local culture, was brought up. Skilled individuals became Kijishi (woodturner), and those with a talent for negotiation became wholesalers, and they each took up roles in the Yamanaka lacquerware industry.
My grandfather became involved in the craft, marking the beginning of our predecessor’s venture into lacquerware making. Watching my grandfather work, my father helped him while attending junior high school. Eventually, the business was incorporated, my father took over as head, and now I have stepped into this role.
Did you become a Kijishi because you wanted to carry on the tradition?
TakaoNo, actually, I didn’t intend to succeed it. I played baseball during my student years, pursuing a professional career. When that dream didn’t materialize, I got a job in Tokyo as a company employee.
I eventually met my wife and told her about my grandfather and father’s work. Her response was, "That’s a rare profession." It made me realize that the Kijishi work I grew up around wasn’t the norm.
This realization sparked my interest in the work. I went through a period of indecision on whether to succeed the business, but my wife supported me. I returned home 12 years ago, and here I am today.
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