The 5th Generation Takes the Helm at Ishizuka Senko: A New Era for Finely Patterned Edo Komon
2024.01.06
The 5th Generation Takes the Helm at Ishizuka Senko: A New Era for Finely Patterned Edo Komon
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Located in Hachioji, Tokyo, Ishizuka Senko Limited. is a dyeing studio specializing in Edo Komon. Recognized for its intricate patterns made using traditional handwork with Ise Katagami (Ise paper stencil painting), the subtlety of its ultra-fine patterns only fully reveal themselves upon close inspection, highlighting its delicate beauty.
Established in 1890, the current holder of the tradition, the fifth-generation head, Kumiko Ishizuka, has been innovatively incorporating modern designs and colors into her creations while utilizing traditional Japanese dyeing techniques.
In this interview, we sat down with Kumiko to discuss her initiatives on broadening the possible applications for Edo Komon stencil dyeing and the preservation of traditional dyeing techniques for future generations.
PROFILE
Kumiko Ishizuka
Kumiko Ishizuka

The fifth-generation head of Ishizuka Senko Limited.

The Splendor of Continuing Traditional Crafts

Could you tell us about the establishment of Ishizuka Senko?
Ishizuka Senko was founded by the first-generation head, Umejiro Ishizuka, as a dyeing business in Odawara around 1890. Until the second-generation head Kinjiro, the company didn't focus on Edo Komon, but rather produced vibrant, luxurious kimono with large patterns.

Later, we moved our base to its current location in Hachioji, where during the tenure of my grandfather, Kenkichi, who was the third head, the demand for simpler kimonos increased, leading to the procurement and production of Edo Komon's pattern paper. However, as Edo Komon's patterns' size and intricacy vary, my grandfather's generation didn't manufacture those with the extremely fine patterns referred to as 'goku' (極, meaning 'extreme').

Subsequently, my father, the fourth-generation head Yukio, started making 'goku' sharks and stripes, and I have since taken over as the fifth head.

So, you started making Edo Komon halfway through?
Indeed. Even though the foundation of Edo Komon is dyeing a single pattern in a single color, during my father's time, we created numerous visiting kimonos wearable at parties or celebratory occasions and Eba, designed through the combination of patterns.

When my father was young, he did everything, from drawing his own designs, arranging colors, to even hand-drawing parts of the kimono design. He seemed to have been trying various things at the time. However, with the changing times, he decided to specialize in Edo Komon's more challenging designs like 'goku' sharks and stripes.

What was the reason or background that led you to relocate to Hachioji in the Meiji era? There's a previous river called Asakawa nearby, right?
Dyeing process of Edo Komon includes a step that involves washing the dyed fabric in water. This process necessitates being near a river, so I believe the location was selected with the proximity of the river in mind.

By the same token, Ishizuka Senko likely chose its current Hachioji location close to the Asakawa for the purpose of water rinsing within the studio grounds.
Yukio Ishizuka, the fourth-generation head who adjusts the unevenness of the pattern after stamping (Certified Traditional Craft Technician by the Tokyo Meister, Ministry of Economy, Trade and Industry)
Yukio Ishizuka, the fourth-generation head who adjusts the unevenness of the pattern after stamping (Certified Traditional Craft Technician by the Tokyo Meister, Ministry of Economy, Trade and Industry)
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