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The Diversifying Views on Japanese Tattoos – Understanding the History & Culture (Yoshimi Yamamoto)
PROFILE
Born in 1968. Professor at Tsuru University, cultural anthropologist.
Manager of the Researcher's Network for Beauty, Cosmetics, and Body Representation Studies, advisor of the Friends of Taiwanese Indigenous Peoples.
Main works include "イレズミの世界" (Kawade Shobo Shinsha, 2005), "イレズミと日本人" (Heibonsha, 2016), "靴づくりの文化史" (co-written with Minoru Inagawa, published by Gendai Shokan, 2011). His latest co-edited work is "身体を彫る、世界を印す イレズミ・タトゥーの人類学" (Shunpu Sha, 2022).
Please tell us an overview of your research so far, Professor Yamamoto.
Since I was a university student, I have been interested in 'body modification', which culturally changes our bodies. I have been researching the history of tattoos from my graduation thesis to my doctoral thesis, but fundamentally, I consider it as historical anthropological research from the perspective of colonial rule and immigration research.This article is for members only.
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