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Artist & Fashion Designer: The Unique Career of "Elegant Thorns" Artist Mayu Yukishita
PROFILE
Artist / Fashion Designer
Born on December 6, 1995, a graduate of Tama Art University in Design. She has gained popularity for her unique painting style that retains a distinctive deformation and rough touch, while also being realistic. Her work has attracted significant attention from the publishing and music industries, leading to many collaborative projects.
Her diverse activities include contributions to the 2022 Bookstore Award-winning work "同志少女よ、敵を撃て," the Bookstore Award-nominated work "6人の嘘つきな大学生," TV commercials for Tokyo Mode Gakuen, official merchandise for SUMMERSONIC 2022,
TOKYO CREATIVE SALON (Tokyu Corporation), among other advertisements and book designs.
Additionally, she serves as the designer for the fashion brand "Esth." that she launched in 2020.
The Origin of Her Activities: "Copying"
First, can you tell us what inspired you to start drawing illustrations?
I don’t have a clear moment that sparked my interest; I have liked drawing since I was a child, and I vaguely thought I wanted to pursue a job in art when I was in elementary school.When did you start your career as an illustrator in earnest?
I began sharing my illustrations on social media around my first year in university, and gradually, more people started to see my work. By my second year, I began to receive freelance opportunities. At one point, I considered getting a job, but ultimately, I started working as a freelance illustrator immediately after graduating from university, and I’ve continued along this path.Did your artistic style resemble what you create now from the beginning?
When I first began sharing my work on social media, my style was cute and pastel-toned. As I received more work, the clarity of what was expected of me increased. Particularly, the project for CreepHyp’s album "泣きたくなるほど嬉しい日々に" felt like a turning point for me and seems to connect to my current artistic style..jpg?w=672&fm=webp)
Clothes to Hide Everyone’s Insecurities
While expanding her activities in the illustration field, you launched the fashion brand "Esth." in 2020. Was there a specific trigger for this?
It all started with my graduation project: I created clothes printed with oil paintings using silkscreen. At that time, I made them purely as artwork, but a friend involved in garment production management saw my exhibit and invited me to start a brand together.
What is the brand concept of “Esth.”?
The brand name is derived from the horror movie "Orphan." The character Esther in the film harbors a significant insecurity, but the clothing that she wears to conceal it is elegant, sharp, and somewhat cute. I found that style and mood appealing, which led to the choice of brand name.
Where do you find inspiration when considering design?
Music and movies are my main sources. In terms of music, I often draw inspiration from the fashion of customers attending club events and costumes featured in music videos of my favorite artists. In particular, the fashion of Yolandi from the rave music group Die Antwoord has a similar impression to the concept of “Esth.,” and I reference it for balance and such.The World of Expression Expanded by “Esth.”
Has your experience in the world of illustration influenced your fashion design?
Perhaps due to my background in realistic illustration, I tend to include detailed aspects like seams in my design sketches, which some pattern makers commend for being concrete and easy to visualize. However, on the flip side, one could argue that being too specific makes it challenging to broaden the scope, so I’ve been considering trying a more abstract approach in my future design sketches.
Conversely, has your experience as a fashion designer influenced your illustrations?
I feel like I’ve found new modes of expression. In particular, I’ve learned a lot from professionals like stylists and photographers during look shoots.I believe “Esth.” is set to restart in 2025; are there any new things you’d like to try?
Having taken a break for about two years, my mindset has changed, so I want to present expressions that differ a bit from what I’ve done before. Specifically, designs from the early stages often had a sharp impression, but the collection starting this year will be more mature in tone.Yukishita shared her thoughts on her future: “Even if I set future goals, things rarely go exactly as planned, both positively and negatively. That's why I want to give my all to what’s in front of me, as I believe that will connect to the future.” She seems to actively expand her activities into areas of interest without overly confining her future, suggesting she will continue to grow while enjoying her journey ahead.
■Exhibition Information
Venue: Ginza Tsutaya Bookstore FOAM CONTEMPORARY
Address: 〒104-0061 Tokyo, Chuo Ward, Ginza 6-10-1 GINZASIX 6F Ginza Tsutaya Bookstore FOAM CONTEMPORARY
Exhibition Period: March 8, 2025 (Saturday) – April 2, 2025 (Wednesday)
Opening Hours: 11:00 AM to 7:00 PM
Closed: Mondays
Merchandise Exhibition Venue: GINZA ART SQUARE
Address: 〒104-0061 Tokyo, Chuo Ward, Ginza 6-10-1 GINZASIX 6F Ginza Tsutaya Bookstore GINZA ART SQUARE
Exhibition Period: March 8, 2025 (Saturday) – March 22, 2025 (Saturday)
Opening Hours: 10:30 AM to 9:00 PM
Closed: No holidays during the exhibition
Admission: Free for both events
Organized by: Ginza Tsutaya Bookstore
Text by Shin Ishizuka



