CLAMP 35th Anniversary: The Journey of Shimmering Costumes Alongside Iconic Works

"X," "Magic Knight Rayearth," "Cardcaptor Sakura," and many other diverse works have been brought into the world by the creative group CLAMP, sometimes even transcending the bounds of manga. This year marks their 35th anniversary, and the "CLAMP Exhibition" at the National Art Center, Tokyo, from July 3 to September 23, reflects on their illustrious history. CLAMP's bold compositions and intricate expressions have captivated audiences not only in Japan but also overseas to this day. In this article, let's take a look back at the fashion of the characters that have always stimulated our minds alongside CLAMP's diverse works.

Now a cross-generational representation of creative groups in Japan, CLAMP made their commercial debut in 1989 with "RG VEDA." "RG VEDA" is based on ancient Indian mythology, with characters using the names of those gods. It presents a grand story revolving around the keyword "promise." Given the ancient Indian theme, the costumes, including those of the protagonist Ashura, tend to be simpler compared to other works, yet the detailed ornaments and expressions of the fabric stand out.

Besides Ashura, the stunning costumes of female characters like Gigei and Kendappa-o, and the elegant yet robust sword design of male characters like Yasha-o are notable highlights. The original decorative designs characteristic of CLAMP's works were established right from the start, offering rich discoveries when you revisit these works with an eye on costumes and decorations.

Then, from 1990 to 1993, "Tokyo Babylon" was serialized in Shinshokan's "South" and monthly "Wings." This story revolves around an onmyoji protagonist solving spiritual incidents and strange phenomena in Tokyo.

Incorporating social issues such as suicide, Dial Q2 services, new religions, and elderly care problems, the storyline is rare in CLAMP's works for its social commentary. Transitioning from "RG VEDA," the contrasting vivid urban colors and bold compositions reminiscent of the late '80s to early '90s fashion continue to attract ardent fans.

The unique fashion of the protagonist Subaru Sumeragi, centered around black, and the '80s idol-inspired fashion of his twin sister Hokuto Sumeragi enhance the work's appeal. Additionally, Seishiro Sakurazuka’s big silhouette suits, when revisited in the Reiwa era, still feel fresh yet somehow connected to contemporary styles.

"The Invincible Amusement Park"—so the bustling city of Tokyo is described at the beginning of the work. While CLAMP has many works set in Tokyo, "Tokyo Babylon" stylishly portrays the dazzling Tokyo in the early Heisei era with its unique expression.