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PROFILE
Yukari Yamagishi
Doctoral student at Hokkaido University Graduate School of International Media, Communication, and Tourism Studies. Special researcher of the Japan Society for the Promotion of Science (DC2) since 2021. Her expertise lies in tourism sociology and craft tourism studies. Her latest work is "工芸観光における体験・交流の商品化―体験型観光「高岡クラフツーリズモ」を事例としてー" in "観光研究" 35(1): (in printing). researchmap
There was a time when I consumed and adorned myself with "Japan" as fashion. This was due to the identity crisis I experienced growing up as a corporate family member and a returnee. At the age of 22, I discovered "Japan," my one and only homeland, and became immersed in it. At the same time, I was also deeply perplexed by "Japan." In this column, I will trace the trajectory of my sociocultural identity involving loss and alienation, discovery and liberation. What meaning did adorning myself with "Japan" hold for me at that time?
Losing One's Homeland
Once there was a way to get back homeward Once there was a way to get back home Sleep pretty darling, do not cry And I will sing a lullaby
(Paul McCartney, “Golden Slumbers”)
My parents were part of a corporate family. Therefore, I am a "Homeland Refugee"[1]. I have moved and transferred schools repeatedly since I was three years old. Because of this, I hold a strong yearning and complex regarding the local area, dialects, childhood friends, and most importantly, the concept of "homeland." For example, during my undergraduate years, I frequented the Ishikawa Prefecture Association, the Hokkaido Prefecture Association, and a student community that included returnees. The most comfortable place for me was the student community because it was a gathering of "outsiders."