Now Is the Time to Reconsider the Significance of Overlaying "Music & Fashion" with "Contemporary Perspectives" (Kenichi Aono)

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On July 23, the book "音楽とファッション 6つの現代的視点" (Rittor Music) was published, examining the historical and cultural background of popular music and fashion alongside iconic artists, while addressing contemporary issues such as gender.

What is the relationship between music, fashion, and contemporary perspectives? I spoke with the author, Kenichi Aono, about his thoughts embedded in this book.

PROFILE

Kenichi Aono

Born in Tokyo in 1968. He worked in PR, as a creative director, and as the director of BEAMS RECORDS at Beams Co., Ltd., before leaving the company and becoming independent in 2021. He actively engages as a writer/DJ/creative director in the fields of music, fashion, film, literature, and art. His publications include "迷宮行き" (2014, Tennen Bunko / BCCKS).
https://twitter.com/kenichi_aono

The Background that Prevented It from Being Just a "History Book"

Please tell us the reason for choosing three themes that combine music, fashion, and contemporary perspectives.

I think that the history of musicians' musicality and fashion has been explored to a considerable extent. Simply stating “this song is like that” or “that fashion is like this” may not resonate well anymore.

In considering the significance of publishing a book about music and fashion in this era, I wanted to create a book that would at least provoke some awareness or inspire actions such as “doing research,” “listening,” “watching,” or “trying on.”

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